NOMOTHETIC EPISTEMOLOGY: SCAFFOLDING FOR UNDERSTANDING OR CONSTRAINT ON CREATIVITY?
NOMOTHETIC
EPISTEMOLOGY: SCAFFOLDING FOR UNDERSTANDING OR CONSTRAINT ON CREATIVITY?
John Vandermeer
In
Wallerstein’s masterful “The Growth of Knowledge” he contrasts the “intent” of
the various social sciences as on a scale ranging from nomothetic to
ideographic. Depending on their history, particular social sciences locate
their epistemological positions near to or far from Newton. The Newtonian
revolution has been characterized, both adoringly and critically, as casting
reality as a machine, thus providing a strong metaphor, known today as
“mechanism,” that is thought to provide an understanding of that reality. Kant
was the first to distinguish ways of knowing as falling into a dichotomous epistemology
that later Kantians referred to as nomothetic versus ideographic, the natural
sciences generally falling into the first category the social sciences into the
second. Wallerstein takes issue with such a simple classification and notes
that the continual tension between these two epistemologies has not been
completely resolved in many of the social sciences.
Economics,
for example, at the micro level seeks to establish a general theory on which
all economic data can be rationalized, a nomothetic position, while at the
macro level seeks to study the detail of particulars, real economic activities
operating at some time and in some space, effectively an ideographic position.
Sociology seeks general principles, theories that predict social phenomena much
as the inverse square law predicts elliptical orbits, while anthropology elaborates
the details of particular cultural formations. It is somewhat ironic that at
their most basic level, sociology and anthropology seek to understand the same
reality (human societies), yet their epistemologies have evolved along
dramatically distinct pathways.
A
remarkably unusual field is history, idiosyncratically finding itself lodged
neither in natural nor social sciences in most epistemological schema, but
rather, somewhat incongruously categorized as a subject of the humanities. Nomothetic
themes are certainly observable (e.g., Marx’s class struggle, Foucault’s
discourse), but most practitioners are dramatically ideographic, struggling
with the complicated socio/economic/politico/cultural structures that they use
to construct their narratives. And it is
taken as a kind of badge of honor that those narratives are situated in the
particularities of time and space and absolutely not to be squeezed into some
nomothetic construct.
There is
little debate on this issue in the natural sciences, the assumption being that
all are nomothetic. Research programs are normatively thought to be contained
in some theoretical framework, and usually are so situated even when not
explicitly stated as such. Yet all would
have to admit when viewing their field historically that it had its ideographic
moments (precise positioning of the stars in early astronomy, collection of
fossils in early evolutionary biology, random combinations of chemicals in alchemy,
the precursor of chemistry). The process
of induction so readily acceptable at certain stages of the methodology of the
natural sciences can be ideographic in practice if not ultimate intent. The
process of developing theory and deducing predictions therefrom is, contrarily,
clearly nomothetic.
Ecology, as
a natural science, is automatically assumed to have a nomothetic epistemology.
Yet, most ecologists (at least those with direct connection to field work)
acknowledge the complexity and contingency of the subject, frequently lamenting
the fact that all ecological theories are spectacularly over simplified. Yet
the underlying assumption is that there certainly must exist (in the same way
the physicist assumes there certainly must exist) a machine that operates in
precisely the same way as observed reality. That is, there is a “mechanism”
that provides understanding of the reality, or at least that is the normal
assumption. But does this nomothetic assumption accurately characterize what
ecologists have been doing since their discipline was named by Haeckel in the
late nineteenth century? And, more importantly, is the unquestioned assumption
that ecological epistemology should be nomothetic a useful assumption? Can
there be, should there be, an ideographic ecology? Would the current community
of scholars self-identifying themselves as ecologists accept an ideographic
epistemology as legitimate? Or is their
almost religious commitment to the Newtonian “machine” (their famous “mechanism”)
a 100% effective firewall?
I
take my own prejudices as an example. I
believe (and the religious connotation is probably quite appropriate) that
ecological communities are collections of coupled oscillators forced by
periodic environmental conditions (Vandermeer, 2006; also see, especially, King
and Shaffer, 1999), a hard-line nomothetic position (with about as much
empirical support as string theory). Yet
my field work on the coffee agroecosystem emphasizes the contingent, the
nonlinear, the stochastic, the particular, the temporary, the chaotic, in
short, the ideographic storytelling which harkens to pre-Darwinian naturalists (e.g.,
Vandermeer et al., 2010; Perfecto and Vandermeer, 2014). Do I force everything
I see into the coupled oscillator framework, thus creating a constraint
on possible ways of envisioning what I see, or even preventing me to see what
is before my eyes? Or, do I utilize the
coupled oscillator framework as a scaffolding to provide insight into my
observations and interpretations of their deeper meanings?
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